OLIVIER PASQUET - last halloween

last halloween

sonic apocalypse: mutant remix detonates the cerebral cortex of les duponts' fandom.
this mind grenade obliterates conventional narrative boundaries, violently hijacking the dna of the original american tv show's essence and exploding it into a polite nightmare of sound and vision. imagine an audio visual fever dream that screams through the membrane of reality. behold mri scans of human faces dissolve and metamorphose into chimaeras, a horrifyingly beautiful mutation of human and machine. the sound mutates like a possessed ai, writhing with rhythms that punch through the walls of perception and understanding. this is a true sonic exorcism of autumn's most hallucinations. surrender your mind.

olivier pasquet is a multidisciplinary artist whose work spans composition, music production and visual arts. his artistic practice explores the intersection of sound visuals and generative art, creating pieces that blend minimalistic and maximalistic approaches at the same time. pasquet's compositions are characterised by their strong connections to architectural design, algorithmic concepts and rationalist theory fiction.

the voice both literal and metaphorical human or not plays a crucial role in his work, particularly in his profound engagement with theatre music and theatrical performance. pasquet's compositions for theatre transcend traditional musical accompaniment, instead becoming integral narrative and dramaturgical elements that transform theatrical space into architecture.

his work delves into the realm of micro rhythmic composition, where sound is deconstructed into its most elemental particles. pasquet crafts super sharp sonic experiences that operate at the edge of audibility, intricate rhythmic structures so precise and minute that they challenge the very boundaries of musical perception. each composition becomes a microscope into sound itself, revealing complex rhythmic universes hidden within seemingly imperceptible sonic fragments.

the infinitesimal becomes his primary artistic language. each audio or visual micro rhythm, each traced ray of light or sound, aims at expanding the very concept of artistic creation beyond traditional boundaries.

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